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The painting represents six female figures and two males together with a cupid in an orange grove. Burraq engineering solution provides the best primavera training course in Lahore. The movement of the composition is from right to left, so in this direction is the standard identification of figures. Far-right Zephyrus.

Chloric covers

The biting wind March abducts and possesses the nymph Chloric, whom he later marries and transforms into a deity, she becomes the goddess of spring, the eternal bearer of life, and scatters roses on the earth. The nymph Chloric covers Flora.

Flower picker

In the canter (but not quite) and somewhat aside from the other figures stands Venus, a red-veiled woman in blue. Like a flower picker, it returns the viewer's gaze. The trees behind her form an arch to draw the eye.

Blindfolded

A blindfolded Cupid points his bow to the left in the air above her. On the left of the painting, the Three Graces, a group of three women also in translucent white, join hands in dance. To the far left rises Mercury, clad in red with a sword and helmet.

The pastoral scenery

The pastoral scenery is elaborate. The painting shows 500 identified plant species with about 190 different flowers, of which at least 130 can be specifically identified.

Italian Renaissance

The overall appearance and size of the painting are similar to the Flemish mille fleur tapestries, which were popular palace decorations at a time when these tapestries were insufficient for the artistic development of the Italian Renaissance in the 1480s.

Picture space

And the composition of the picture has aspects that belong to this still Gothic style. The figures are arranged in a rough line across the front of the picture space, "seated next to each other like pearls on a string.

Mercury's Sword

The feet of Venuses are considerably taller than those of the others, showing that she is behind them, but she is on the same scale, if not larger, than the other figures. Overlapping other characters with Mercury's Sword and Chloric.

Image-space

Hands show that he is standing slightly in front of Grace and Flora's left, which might not otherwise be apparent, for example from their feet. It has been argued that flowers do not grow smaller in the back of the image space.

Theatrical costumes

The costumes of the characters are versions of the dresses of contemporary Florence, although the kind of "quasi-theatrical costumes designed for masquerades of the type written by Vasari was invented by Lorenzo de' Medici for civic festivals and tournaments.

Painting

Various interpretations of the figures have been put forward. But it is generally agreed that on at least one level the painting is an elaborate mythological allegory of the world's increasing fertility.

Roman calendar

God of the month of May in the early Roman calendar, driving away the last clouds before summer. In addition to being part of a sequence throughout the season, Mercury acts as a guardian of the garden while dispelling the clouds, partially explaining his military attire and his reversal outside the image space.